Book Review: To Beat the Devil

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To Beat the Devil: A Techomancer Novel by M.K. Gibson

BOOK BLURB ON AMAZON

175 years have passed since God quit on mankind. Without his blessing, Hell itself, along with the ancient power of The Deep, were unleashed upon the world. Two world wars and oceans of blood later, a balance was reached. Demonkind took its place as the ruling aristocracy. Mankind, thanks to its ability to create, fell to the position of working proletariat. Alive, but not living.

Lucky Us.

Welcome to New Golgotha, the East Coast supercity. In it, you will find sins and cyborgs, magic and mystery, vices without virtue and hell without the hope of heaven. In the middle of it all is Salem, smuggler extraordinaire and recluse immortal, who has lived and fought through the last two centuries, but his biggest battle is just beginning.

To Beat The Devil: A Technomancer Novel is an incredible adventure full of cyborgs and demons, gods, magic, guns, puns and whiskey, humor and heart. Follow Salem as he embarks to discover the meaning of the very nature of what mankind is: our souls. And, who is trying to steal them.

 

MY REVIEW

Short Version: An action-packed urban fantasy with some crazy fight scenes varying from single mano-on-demon to full scale wars with thousands and back again. Also emotional character development (but not at the expense of the action), a fantastically dark world built to many layers, and a couple of flaws often found in first novels which fade into the background the longer the story goes on because it is a rocking, heart-pounding story full of twists, red herrings, and cool cyber-technology.

Long Version: 
“The protagonist isn’t out to save the world –that ship has long since sailed…” (a line from the Foreword). In a world abandoned by the capital G, humans and demons have come to an uneasy truce with demons being overlords and humans being serfs running all the technology. Salem is a lightrunner, basically a quiet smuggler capable of a great deal of violence when necessary. He has developed a nice (as in survivable) little life with associates and no friends, when one of the associates sends a piece of business his way that changes things. Life may no longer be survivable, but it certainly becomes interesting.

As mentioned in the Short Version, the book is both very good and has a few flaws so let’s get into that.

1. PRO – None of the action is boring. Every fight scene is different, from the opening fight with a Demon Bishop, to the land war, to the final fight with the big bad. Mr. Gibson changes fight strategy from single person to large group, from intent to kill to just maim a little, from physical fists to cyber tech. I’ve rarely run into such a wide range of fighting.

2. FACT – Has a great deal of “language”. Fits the character and situation (after all, hell come to earth), but pushes this book firmly in R for language alone. (For me this is a CON, but I know not all readers have the same issue.)

3. TRIGGER – One rape scene. Done quickly.

4. FACT – Male version of Urban Fantasy. Okay, what I mean by that – the female version has a paranormal female, usually with two love interests who support her but never overshadow her and all characters exist in relation to her. The male version of UF has gun porn instead of soft porn and again everyone exist in relation to him, usually with the male secondary characters having agency and the female characters, if any, existing to jiggle.

4a. PRO – Gun Porn – The guns are sexy. The cybertech more so. Oooh, the McGyvering and Blade Runner vibe is hot. Really, To Beat the Devil has some of the most interesting information dumps about guns and cyber, I actually read through all of them and enjoyed it while I did so. They were short and sweet.

4b. CON – Women – The handful of named women in the book all look in their twenties, wear g-strings and bikini tops if not just naked all-together, and either lust after the main character, have slept with the main character, or has the main character lust after them. Except for the one which is the lover of a secondary character. Typical male urban fantasy, inherited from the spy-thriller tradition. And a total turnoff for a female reader. Every single effective fighter in this book is male, even when the female characters are described as scary fighters (after their boobs are detailed); if the scary female cybers do do any fighting, it is off screen. Somehow I noticed this more than normal within the manuscript and the rating lost a star on the non-agency of the females in the story. 

5. PRO/CON Worldbuilding – Very detailed bleak world. Great backstory; maybe – no (sigh) definitely – a little too much exposition describing the backstory. Several NOTICEABLE introspections put into the book just to provide the cool backstory describing the world as well as aside breaks into the past for a short couple paragraphs here and there. In fact part way through the book the method changed from introspection exposition to the flashback breaks; a content editor should have asked the writer to go back and even out these two methods of backstory reveal. As this is the first in the series and the first book by the author, I expect the exposition issues will not happen in future books. Usually backstory is a little heavy in the first book of a series. And as I mentioned, the writer did find a better device while writing. I did enjoy each jump further down the rabbit hole when the worldbuilding reveal happened in dialogue between characters. Some of the flashback scenes were stories and some were just exposition – as Mr. Gibson continues to grow as an author, I expect the flashbacks will become more integral to the story and less worldbuilding expositions.

5. CON – Poor transitions. The first three chapters glaringly have jumps in transitions. This issue goes away later in the book. In fact the whole book gets better and better as the story goes on – usually in small press and first-time author works, the story gets less tight and technical writing skills get less polished as the story goes on because the writer rewrote the first three chapters a dozen times and ignored the rest of the book. During the first couple of pages of the second chapter I wasn’t certain we didn’t change Point-of-View characters – so much of the beginning of the second chapter felt like a repeat of the first chapter, but the voice felt different and the jump between the two chapter nearly a complete break. If I hadn’t received the book in exchange for honest review from publisher I might not have pushed past chapter three – which would have been a pity because after that weak beginning everything keeps getting better and better.

6. PRO – The most amazing part of the book, especially for an Urban Fantasy, is the personal growth of the main character. The guy starts as a self-centered smuck. The journey this book is about isn’t just the plot of solving the mystery(ies), but also about the character growth. Mr. Gibson does a very good job of establishing the personality of the main character and making the growth believable. I’ll be interested to see if Mr. Gibson can keep that portion of the story plot up for future books.

In conclusion, To Beat the Devil is an action-packed urban fantasy with great fight scenes, emotional character development (enhancing the action, not slowing it down), a Blade Runner apocalyptic world built complete with demons (and worse than demons), and a couple of flaws with technical writing (transitions and expositions) which fade into the background the longer the story goes on because it is a rocking, heart-pounding story.

Flash: Song

“Then we are agreed.”

The lyricist shook hands with the demon. Just a simple trade, ten years’ worth of income for a song he had written. A normal transaction for him, just the royalties “sold for a song”. Nothing new. Except a better payment than most.

He screamed as the song and all its permutations were ripped from his mind and soul.

(words 62, first published 3/28/2022, from a FB word prompt (Song) for a writing group I belong to, aiming for around 50 words)

Flash: Hellhound Puppies

Image courtesy of the Internet Hivemind

A friend of mine posted the above on her Facebook page. I responded, and then it devolved. Below is the result.

First Response:

The hellhounds leap past the others (demons), knocking me down.

“Snuggles – good puppies!”

“But they’re hellhounds.”

“Puppies want belly rubs?” (Rubbing bellies)

“bbbbbut”

 

Second response:

Much later – Young Demon checks in with an overseerer.

“Hey, I’m here to torture” (he looks at name on sheet and says it).

“Again? When will they learn? Look just grab a piece of flame and wait out the decade and go back.”

The hothead rakes the burnt-out demon with his eyes and sneers, “Some of us still got what it takes. Where is my ‘client’?”

Underworld weary, the overseer just waves in a direction. “There.”

“Why is it surrounded by hellhounds?”

The older demon looks over, squinting his eyes against the smoke. “I think they are playing fetch.”

A skull gets thrown and a dozen hellhounds run after it snapping and snarling, with one staying at the client’s feet guarding. The skull was wrong; white bone, but it wasn’t human. The hounds come trotting back, one with the skull in its mouth. The human plays a little tug-o-war until the hound lets go and then gripping the horns curling at the temples gives a big swing and lets it go again.

The young demon clears his throat, “So, where did it get the skull.”

“The last demon sent to torture it. The human said ‘Kibbles’ and pointed at the torturer.”

“You know, I think I will just sit here and enjoy the flame for a while.”

(words 246; first published on FB 6/17/2019; published on website 1/26/2020)

Author Spotlight: Michael G. Williams

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Around the time I wrote the Author Spotlight on Michael G. Williams back in 2017, my publisher asked me if I knew Mr. Williams and would be interested in editing a book by him. Seems the boss had picked up the series which I discussed in the blog post, plus would be publishing the last of the series. If I was available, he would assign it to me.

Oh my goodness, oh my goodness, OMG, OMG!!!! Squeal!

After I calmed down, I worded a reply – deleted that one as being way too fangirl – did another after I calmed down again. Finally I managed something along the lines of: “I have enjoyed his work and believe I can fit another book into my schedule.” Hit send on the email, then finger out and take a sip of tea. So professional. While quivering in excitement.

One book turned into two, then three, and now I am his go-to editor at Falstaff. (He does get some of his short work published elsewhere.)

My mantra when editing his work is “Don’t pull a J.K. Rowlings with Mr. Williams.” I want his work to be the best possible, which means he must get edited completely. Unlike Ms. Rowlings, whose books clearly had editing slack off as her editors changed into fans, I had to remain an editor. No matter how much of a fan I am.

And if I stay good, I get to see his work before anyone else!

That’s a big incentive to stay on the straight and narrow red editing line.

This year Falstaff Books put out three of his novels/novellas.

First one happened back in January 2019, A Fall in Autumn. In fact, it was Falstaff’s first publication of the year as well as the first book in a science fiction series about a detective. It’s amazing! The central conceit of the SF aspect is organic manipulation, not the typical military and spaceship story.

Second happened in June, Nobody Gets Out Alive, concluded the Withrow Chronicles. (I.touched.it. I.got.to.make.this.series.better.) The final cross-genre for the vampire series was War Chronicles. I had to dig deep to remember what I knew about the tropes of that genre, but I truly feel that the conclusion delivers on the promise of the series. Not an easy thing to do for a five-book opus.

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Third, and last one, published this year, Through the Doors of Oblivion, the first of a new series in the Quincy Harker/Shadow Council universe. This is perhaps his best story yet, mixing in so many of his passions. Mr. Williams love of San Francisco bleeds through every page. In fact, most of my editing felt like: “Pull back. This scene doesn’t fit this story right now. I know you love it, but save it for later books.” This time the urban fantasy focuses on witches vs. a demon, with a lot of the City by the Bay history thrown in.

Each book published this year had a different focus, a different sub-genre, and yet his author’s voice dances throughout even as the series voice and character voices adjust. He is an amazing writer.

And I get to edit him! (squeal, hands clapping)

Read his stuff. Give him a reason to complete the next book of the Fall in Autumn and the Servant/Sovereign series. I can’t wait to see them.

You can follow him at: http://www.robustmcmanlypants.org/perishables/