Author Spotlight: Liana Brooks

Amazon Cover

I’ve been following Liana Brooks since back when I worked for Breathless Press, and she published a superhero series of “Even Villians…” I’ve watched her moved to Alaska, then to the West Coast.

Then (gasp) she has moved to South Carolina in 2019 following her husband’s military career. I may actually get to meet this magical writer of romance mixed with genre – ranging from historical to science fiction, superheros to time travel. I do hope she comes to ConCarolinas in June. I will be all over that like icing on a cinnamon roll.

If you like your genre with some romance or your romance with some genre, check out her works.

You can also check out my I’m-not-a-stalker previous posts on her books and her blog below. I find her blog thought-provoking and useful for writing. I also follow her on Facebook and am one of her patreons. Nope, not a stalker at all – just a superfan.

Other Cool Blogs: Liana Brooks June 23, 2016
Other Cool Blogs: Liana Brooks June 26, 2016
Other Cool Blogs: Liana Brooks
Other Cool Blogs: Privilege
Book Reviews: A Time & Shadows Mystery Series
Book Reviews: Even Villains Fall in Love

Editing Rant: Possession is not Romantic

Image courtesy of Sira Anamwong at FreeDigitalPhotos.net

No, no. NO!

Possession is not romantic.

Slavery romance is not a kink I have, and it is one I don’t think is ever healthy for the participants. Avoid it. Period!

In a recent romance, the prince kept saying “mine” – and, f-no, not when the female has been ripped from her home and enslaved. Don’t care if it is insta-love, don’t care is the woman is super-strong-were, don’t care if the prince had his own problems and has my sympathy, don’t care if the prince wants to free her – the possessive term, while sexy when both sides have the option of agreeing to equal possession is NOT okay when one is wearing a slave collar and the other holds the leash (even though he really, really doesn’t want to).

Aside from possession terms, the romance had the perfect use of insta-love, woman is super-strong-were, romantic hero (a prince) has problems which create great sympathy, and a story overall was way too big for the 62 pages it was stuffed into.

But romance is about equals coming together. Both of them bringing something to the plate. I love it when a strong man and strong woman say “mine” to each other. If only one side (usually the male) says “mine”, and the other side doesn’t immediately agree that – yes, I am yours but I also own you in equal measure – then the power dynamic is off.

Watch out for this in your writing. I see it far too often where someone holds leash-level power and stakes a “romantic” claim to someone who isn’t in the position to say no.

That’s slavery. Not a relationship.

In this month of the celebration of love AND black history, learn to tell the difference.

Writing Exercise: Out-Of-Alignment

Alignment by Pajamas
Acquired from the Internet Hivemind

WRITING EXERCISE: Today’s writing exercise comes in two parts. First write a scene, a hundred to two hundred words, nothing long. Should have a Point-of-View character (POV); may have other characters as well. Second, redo the scene by changing the POV character’s alignment. Define the old alignment, and then state the new alignment being attempted. Have the scene remain the same as possible, only change the motives and what the reader sees through POV character.

How does the morality/ethical code of the character change how the story unfolds? How important is the internal mindset of the POV to how the story unfolds? How hard is it for the other characters of the scene to judge the character’s intentions?

Alignments are a concept from Dungeons and Dragons and other roleplaying games. They help form a character’s personality for non-actors playing in the game. Lawful good are goody-goody while chaotic evil are psychotic. If you are not familiar with the concept or want to try something outside your comfort zone, change the basic moral code of the POV character. For example: will do anything for money; refuses to do actions to upset people; will only act in a legal manner; just don’t make me dress up; etc.

***

My Attempt – Text Flash: Dream Dancing

Chaotic Good Version

I don’t like the room, a tight classroom where the girl-woman-child-female is compressed into a desk, the tabletop pressing her knees into her body and her neck and arms constrained. The blackboard screeches as chalk writes a dozen formulas, while an overhead projector burns like the sun, flashing words slightly out of focus and too fast to read on a white board covered with half-erased scribbles. All the other children in the classroom are much smaller, middle-school age and chatting up a storm, making the sole adult at the front – a faceless being – inaudible in the din.

Slipping into the dream, I sweep all of the distractions away, expanding the desk so the woman full-grown is behind a business desk. As she relaxes, I change the scene once again so the overhead light becomes a disco ball, and the woman is at a table next to a dance floor. My hand is nut brown against her pale skin as she accepts and joins me on the dance floor. 

Her head tilts up, smiling in confidence as we dance around the dream room. My suit and her flowing gown touching only around the legs and at the wrists. Her alarm interrupts the dream just as I had been leaning down. Outside the window, behind a screen, I watch her fall back onto her pillows and scream in frustration. She isn’t alone, but this is the first night of many. (words 240)

***

Lawful Evil Version

The dream room of the woman doesn’t suit my purposes. The tight classroom twists in from all directions, compressing the female a school desk with the tabletop pressing her knees into her body and her neck and arms constrained. Across from her, the blackboard screeches as chalk writes a dozen formulas, while an overhead projector burns like the sun, flashing words slightly out of focus and too fast to read on a white board covered with half-erased scribbles. All the other children in the classroom are much smaller, middle-school age, and chatting up a storm, making the sole adult at the front – a faceless being – inaudible in the din.

Slipping into the dream, I sweep all of the distractions away, expanding the desk so the adult woman has a moment is behind a business desk, unlike her day-job but something she aspires to. Before she fully relaxes, I change the scene  again modifying the overhead light into a disco ball, and the woman sits at a table next to a dance floor. My hand is nut brown against her pale skin as she accepts and joins me on the dance floor. 

Her head tilts up, smiling in confidence as I lead her around the dream room. My suit and her flowing gown touching only around the legs and at the wrists. Her alarm interrupts the dream just as I had been leaning down. Timing is everything after all. Outside the window, behind a screen, I watch her fall back onto her pillows and scream in frustration. She isn’t alone, but this is the first night of many. (words 269)